![]() NoDerivatives - If you remix, transform, or build upon the material, you may not distribute the modified material.NonCommercial - You may not use the material for commercial purposes.You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. Attribution - You must give appropriate credit, provide a link to the license, and indicate if changes were made. ![]() This license allows authors and readers to download and share content with others as long as they credit the authors, but they can’t change them in any way or use them commercially, provided that they abide by the following terms: Article Detailsīy default, all content published in #IFM Journal is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license ( CC BY-NC-ND 4.0). This paper argues that actively approaching the i-doc as a shared authority demonstrates how emerging formats, gamification of storytelling, and non-narrative structures can result in a sense of subcultural authenticity: a way to use the documentary format to provide agency to both members of the subculture featured in the project, as well as to audience members. It also invites subcultural members to take over its social media feeds. This i-doc intentionally uses non-professional storytelling tactics (vertical video, online video recordings, strait to camera interviews) to transform notions of a proper “aesthetic” within the documentary genre. These advocates do this with acknowledgement of historical racism and sexism, which is sometimes echoed in the contemporary subculture. Specifically, they use the subculture to advocate for anti-racist practices, call for body positivity, and lobby for full equity and acceptance of LGBTQI subcultural members. In it, women and men adopt vintage style and advocate for social and political change. Pin Up! The Movie: An Interactive Documentary uses oral history to explore an international subculture.
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